How to Play Tenor Saxophone : Jazz Improvisation for the Tenor Saxophone

The Saxophone

The saxophone (also referred to simply as sax) is a conical-bored transposing musical instrument which is a member of the woodwind family. Saxophones are usually made of brass and are played with a single-reed mouthpiece similar to that of the clarinet. The saxophone was invented byAdolphe Sax in 1841. He wanted to create an instrument that would both be the most powerful and vocal of the woodwinds and the most adaptive of the brass, which would fill the then vacant middle ground between the two sections. He patented the sax in 1846 in two groups of seven instruments each. Each series consisted of instruments of various sizes in alternating transposition. The series pitched in B♭ and E♭, designed for military bands, has proved extremely popular and most saxophones encountered today are from this series. A few saxophones remain from the less popular orchestral series pitched in C and F.

While proving very popular in its intended niche of military band music, the saxophone is most commonly associated with popular music, big band music,blues, early rock and roll, ska and particularly jazz. There is also a substantial repertoire of concert music in the classical idiom for the members of the saxophone family. Saxophone players are called saxophonists.

The sxophone was developed in the 1840s by Adolphe Sax, a Belgian-born instrument-maker, flautist, and clarinetistworking in Paris. While still working at his father's instrument shop in Brussels, Sax began developing an instrument which had the projection of a brass instrument with the agility of a woodwind. Another priority was to invent an instrument which would overblow at the octave, unlike the clarinet, which rises in pitch by a twelfth when overblown; an instrument which overblew at the octave would have identical fingering for both registers.

Prior to his work on the saxophone, Sax made several improvements to the bass clarinet by improving its keywork and acoustics and extending its lower range. Sax was also a maker of the then-popular ophicleide, a large conical brass instrument in the bass register with keys similar to a woodwind instrument. His experience with these two instruments allowed him to develop the skills and technologies needed to make the first saxophones. Adolphe Sax created an instrument with a single reed mouthpiece like a clarinet, conical brass body like an ophicleide, and the acoustic properties of both the french horn and the clarinet.

Having constructed saxophones in several sizes in the early 1840s, Sax applied for, and received, a 15-year patent for the instrument on June 28, 1846.^[1] The patent encompassed 14 versions of the fundamental design, split into two categories of seven instruments each and ranging from sopranino to contrabass. In the group Sax envisaged fororchestral work, the instruments transposed at either F or C, while the "military band" group included instruments alternating between E♭ and B♭. The orchestral soprano saxophone was the only instrument to sound at concert pitch. All the instruments were given an initial written range from the B below the treble staff to the F three ledger lines above it, giving each saxophone a range of two and a half octaves.

Sax's patent expired in 1866;^[2] thereafter numerous saxophonists and instrument manufacturers implemented their own improvements to the design and keywork. The first substantial modification was by a French manufacturer who extended the bell slightly and added an extra key to extend the range downwards by one semitone to B♭. It is suspected that Sax himself may have attempted this modification. This extension was adopted into almost all modern designs.

Sax's original keywork was very simplistic and made playing some legato passages and wide intervals extremely difficult to finger, so numerous developers added extra keys and alternate fingerings to make chromatic playing less difficult. While the early saxophone had two separate octave vents to assist in the playing of the upper registers just as modern instruments do, players of Sax's original design had to operate these via two separate octave keys operated by the left thumb. A substantial advancement in saxophone keywork was the development of a method by which both tone holes are operated by a single octave key by the left thumb which is now universal on all modern saxophones. One of the most radical, however temporary, revisions of saxophone keywork was made in the 1950s by M. Houvenaghel of Paris, who completely redeveloped the mechanics of the system to allow a number of notes (C♯, B, A, G, F and E♭) to be flattened by a semitone simply by lowering the right middle finger. This enables a chromatic scale to be played over two octaves simply by playing the diatonic scale combined with alternately raising and lowering this one digit.^[3] However, this keywork never gained much popularity, and is no longer in use.